A cover image for MODUS, the magazine for the RICS, representing the power of China as the world’s fastest growing major economy. Using all red as a colour palette, the model machine shows the way in which China benefits from significant financial input from other countries to produce its varied products and outputs. The machine was created from a range of painted pipes and wires as well as red paper stocks. Photography: Mitch Payne
Kyle Bean is a UK illustrator, director, and set designer. He creates playful, concept-driven imagery for a variety of editorial and commercial projects as well as installations for fashion brands and events. Kyle’s work is usually characterized by a whimsical and meticulous reappropriation of everyday materials and handcrafted techniques which often straddle the boundaries between illustration, sculpture, and animation. Kyle particularly enjoys problem solving and developing witty, yet completely coherent, solutions to project briefs.
Kyle’s work, be it for Google or Verizon, Kinfolk or the Financial Times, is tactile and constructed by Kyle himself or in collaboration with a team. “We’re so used to seeing things that are created entirely within in a computer,” he says, “My finished work can be quite polished and graphic, but I like that in the creation of something tangible you see the imperfections, how elements are combined, how materials are used. It creates an inherent humor, a story, that we can all relate to.”